The "NZZ" sends a report from Mumbai, where people work in globalization. The "SZ" is disappointed about Ai Weiwei's contribution to the Venice Biennale. And the "Friday" commented the paywall of "image".
From the blogs, 29.05.2013
(Via Ekkehard Knörer) On the night of criticism has been raging for several days an enormous discussion of Jérôme Bel's shown in the theater meeting spectacle "Disabled theater." Matthias Dell has triggered it with an article on the online pages of the Sunday. It's about working with disabled people in the theater: "Bel is his performers with disabilities from - even if every positive review, however takes him right in protection but how else can we understand the commands of a one-dimensional Konzeptkunstgezeiges ('And then Jerome has. Starring asked ... '), which are presented unmoved by a translator, and any reduction of the Bel lived large works, scorn speak in their clarity:. let you watch one minutes Imagine with disabilities. "
The much-celebrated Snowfall story on the online pages of The New York Times now attracts but some opponents up, Choire Sicha writes in the Nieman Lab. Their arguments:
"• Although it was of exceedingly well-reported story did lent itself well to web lovely expression, the story itself was Not particularly newsworthy, or recent, or ground-breaking, or exclusive.
• During the story's construction, it Became a situation where it Seemed-at least from the outside, like the shape began to demand unreasonable length of the content.
• It was a monetary sinkhole: while the coding Seems spectacular (and it did not destroy browsers, unlike recent efforts by Pitchfork), the sheer person-hours devoted to it were financially untenable. "
The world 29.05.2013
Richard Kämmerlings lead story describes the recent Suhrkamp capers and states: "As for what the future Suhrkamp, is only sure that nothing is certain." Hannes Stein finds it okay that the American philosopher Thomas Nagel in his controversial book "Mind and Cosmos" maybe "a bit too nice to representatives of the 'Intelligent Design'". Alan Posener has fun turning over the children in the buggy. Dan Brown admits in the interview that his middle name is Gerhard. Will be discussed by the German premiere of Mieczyslaw Weinberg's opera "The Passenger" in Karlsruhe and Olivier Assayas' film, "The Wild Time".
A message informs us that Werner Spies and a gallery were sentenced by a French court in the first instance to pay 652,883 euros in damages. The plaintiff was a collector who had bought the Wolfgang Beltracchi fake, supposedly real Max Ernst painting "earthquake" after Spies had witnessed the authenticity. More from Le Monde.
Neue Zürcher Zeitung, 29.05.2013
The writer Friederike Kretzen sends a report from Mumbai, where they observed the people in the largest slum of the city, Dharavi, at work in globalization: "Why people are not on the spot green as the blue Where are the dogs? ? distortions, excesses, distortions that do such work conditions people to live in it, for them it is a form of normality is shocking this narrow, poor and especially toxic living conditions -., and that makes it well so cruel - is their regulated awareness not. Chaos, no cry, no revolt of the creature, the Cruel's more the incredibly diligent, industrious productivity, waste sorters who Plastikzerkleinerer, plastic-chefs, bakers, steel chefs, potters and tailors work with at their stoves, fires, tables and sewing machines . seems to be fine. "
Other: In the series on the basics of democracy, Felix Trautmann dedicated to the paradox that a nation must exist only in order to constitute itself.
Among others, the exhibition "Creating Camelot" about John F. Kennedy's court photographer Jacques Lowe in Washington Newseum, Michel Houellebecq discussed so far only in French published poems "Configuration du dernier rivage" and Walter Benjamin's Artwork essay in the critical edition (more from 14 Clock in our book show of the day).
The Friday, 05/29/2013
". The noise of the free network is over It's the morning after," says Jakob Augstein and wishes the Springer's Bild newspaper every success with their paywall: "Cynics and seer may shrug their shoulders in a comedy by George Bernard Shaw threatened the fire. the Library of Alexandria; someone calls out, the memory of mankind will burn, and Julius Caesar says: Let it burn It's a memory of wickedness With the attitude you can watch also the destruction of journalism But who can such a... moral afford luxury? "
Christoph Bartmann highlights the importance of Yahoo's decision to bring back its staff from the Home Office to the office again.
Süddeutsche Zeitung, 29.05.2013
Catrin Lorch is a bit pissed that Ai Weiwei has delivered more Excessive for the German Pavilion in Venice, by the way, but on behalf of a London gallery in a French church, the spectacular diorama installation SACRED (More) has established that Ai Weiwei's detention conditions - including a "hyper-realistic Ai Doll" - stalking: "The dissident artist adopted so into a new existence - that of the martyr Even the acronym can be so rapid as 'Sacred' read. Of course .... one is inclined to forgive a lot of Ai Weiwei, after all the injustice he has suffered. Yet it was central to the art activist Ai Weiwei, that he used the Western art system primarily as a platform. now he directs all the lights on and indulges in platitudes cloudy. Vague are also his artistic formulations. "
Other articles: Susan Vahabzadeh speaks with director Olivier Assayas about his new, discussed by Tobias Kniebe movie "wild time". Everywhere stadtmarketing pregnant "Reizvergröberung" at the Berlin Volksbühne, Peter Laudenbach complains after a performance of "Porn of Pure Reason," which "[has] about as much to do with reason as Immanuel Kant youporn". Henning Klüver reports that making the case for the largely isolated Beppe Grillo in Italy, the Italian legal philosopher Paolo Becchi.
Online Bernd Graff amused by the movie "The Room", which he called "the worst movie of all time" for keeps. We believe: Bernd Graff has simply never seen the totally incomprehensible "Turkish Star Wars" from in 1982. Among other things, this trash grenade provides valuable fitness tips.
Discussed new jazz publications and books, including the German first edition of Pierre bosts novel "A Sunday in the Country" (more in our books show by 14 clock).
Frankfurter Allgemeine Zeitung, 29.05.2013
Andreas recommends KILB Olivier Assayas' seventies drama "Wild Time". The problem of reconstitution, which leaves many historical films seem so ridiculous, solve the director by enthusiastic amateurs players: "A life is evoked, but not by the experienced game of rounders, but by appropriating The youth of 2012 embodies the youth of 1971. . to give her back what no actor could give her innocence, immediacy, Vulnerability. "
Other articles: Lena Bopp advises activists of FEMEN, to keep the T-shirt - it interferes with the anti-religious provocation of Jihad Topless Day, by which the propriety of Muslims is violated, which is now on Facebook articulate their Muslim Pride. Swantje Karich protested against the weather. Wiebke Hüster reminiscent of the scandal surrounding the "Rite of Spring" a hundred years ago, the thought is in Paris with various events. Jürg Altwegg and Patrick Bahners write French and American concern over the Suhrkamp crisis. Eugen Ruge, whose novel is "In times of diminishing light" being translated into Greek, sends notes of a giant in the crisis. Internet skeptic Evgeny Morozov today deals with Google Maps (here the original from Slate).
Discusses an exhibition about the American Civil War in Washington, Fank Martin's "Tristan" variation "Le Vin herbé" at the Staatsoper in Berlin and books, including a novella by Hartmut Lange (more in our books show from 14 clock).
The time 29/05/2013
Artists Against violate the ethics of their art if they can buy their works of "rich" as Julia Voss recently accused in the FAZ Georg Baselitz? So heavy guns would not ascend Hanno Rauterberg: "But those who thinks his art is always the same, no matter where it is shown and by whom they will be ordered and paid for, turns out to be hopelessly naive art is far more than literature or film. depending on the context in which it appears. precisely because anything can be art, a urinal as a potato, because it so does not depend on the object itself, but on its perception, it depends on their credibility. "
Peter Kümmel X apartments tortured with Matthias Lilienthal Beirut's explore some beautiful insights into from all sides, but get very lively city: "We will visit the Armenian refugee camp Camp Sanjak It was built in the twenties, finally plummets and accommodates up today 80th . families in a hut, the shoemaker and designer Raffi Pamboukian has settled, here produces high heels to customer requirements (raffipamboukian@hotmail.com) it starts right in the refugee camp, in subdued light and vodka orange, a little fashion show, we are compelled to walk a few steps on high heels. "
Other articles: Thomas E. Schmidt and Adam Soboczynski dröseln on again as it came in almost hopeless battle to Suhrkamp on the recent maneuvers of the publisher to file for bankruptcy protection. In an interview, the General Manager of Suhrkamp Francisco Kebekus the legal situation. Katja Nicodemus writes melancholic about age and transience in Cannes that she experienced after losing her accreditation of its bureaucratic side. Ozzy Osbourne and Geezer Butler talk in the interview about the good old days of the Dark Heavy Metal Black Sabbath and the first CD in 28 years. Iris Radisch writes to the death of Sarah Cherry.
Are discussed Guillem Balagés biography of the future Bayern coach Pep Guardiola (Hans-Ulrich Gumbrecht is however bad hagiografisch), Kevin Powers' novel "The sun was the whole sky" and Marek Edelman's recollections of "Love in the Ghetto" (more on 14 clock in our book show of the day).
In the business section Götz Hamann and Marcus Rowetter deal with the ubiquity of digital cameras and make clear the subject of data collection and monitoring, "So difficult it is when machines everything about us to find out - personal data are also the currency with which people the welfare gains of the past have paid for decades. "
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